CV

2013

• The Rug Pulled Out From Under, Hedreen Gallery, Seattle, WA

​

2012

• Dirt Tongue, CCA Kunsthalle Andratx, Mallorca, Spain

​

2011

• Flesh Art, curated by Jose Rodeiro, Jersey City Museum, Jersey City, NJ

• Norway in New York Now, curated by Omar Lopez-Chaoud, Galleri NO, New York, NY

 

2010

• Portraiture for the Silicone Enlightenment (Fuckheads), curated by Angela Dufresne, SCA Contemporary Art, Albuquerque, NM

• A Reluctant Apparition, Sue Scott Gallery, NYC, NY

• MAN DIES, Arch Collective, Brooklyn, NY

​

2009

• Slough, David Nolan Gallery, curated by Steve DiBenedetto, NYC, NY

​

2008

• Never Did She Ever…, curated by LaToya Ruby Frazier, Mason Gross Gallery, Rutgers University, New Brunswick, NJ

​

2007

• Norske Bilder, Galleri Brandstrup, Oslo, Norway

• 30th Anniversary Exhibition, Jan Baum Gallery, Los Angeles, CA

• Drawings, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY

​

2006

• Bearings, curated by Allen Frame, PS. 122, New York, NY

• Urban Visionaries, Cooper Union Gallery, New York, NY

​

2005

• The Subjective Figure, Robert Miller Gallery, New York, NY

• Desire, Kent Gallery, New York, NY

​

2004

• Portraits, Esso Gallery, New York, NY

​

2003

• Toronto Art Fair, Toronto, Canada

• Faculty Show, Cooper Union Gallery, Cooper Union, New York, NY

​

2002

• Perceiving Life, Frye Art Museum, Seattle, WA

• Lysis, Pamela Auchincloss Project Room, New York, NY

​

2001

• Alumni Choice Exhibition, Yale Art Gallery, New Haven, CT

• ClenchClutchFlinch, Paul Rodgers Gallery/9W, New York, NY

​

2000

• Imaging the Wunderboard, London Biennale 2000, Center for Freudian Analysis and Research, London, UK

• Private World, Art in General, New York, NY

• The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
   

1999

• Go Figure, Neiman Gallery, Columbia University, New York, NY

• Nude in Contemporary Art, The Aldrich Museum of Contemporary Art, Ridgefield, CT

• Zero G: When Gravity Becomes Form, Whitney Museum of American Art, Stamford, CT
   

1998

• Commitment to Image, The Museum of the University of North Texas, Denton, TX

​

1997

• Naked Truth: The Figure in Contemporary Art, Art Gallery of Greater Victoria at Simon Frazer University, Victoria, B.C

• Remembrance of Exhibitions past, Jan Baum Gallery, Los Angeles, CA

• Body Language:Current Figurative Painters, Art Institute of Southern California, Laguna Beach, CA

​

1996

• Naked, University of Hawaii Art Gallery, Honolulu, HI

• Works on Paper, Tacoma Art Museum, Tacoma, WA

​

1995

• 47th Annual Purchase Exhibition, American Arts and Letters, New York, NY

• The Reconstructed Figure, Katonah Art Museum, Katonah, NY

• Vital Signs, Municipal Art Gallery, Los Angeles, CA

• At Century’s End: The Figure in Norwegian Painting, National Museum for Women in the Arts, Washington,D.C.; Henie-Onstad Kunst Center, Norway

​

1994

• Sacred and Profane, Jan Baum Gallery, Los Angeles, CA

• Gallery Artists, Diane Farris, Vancouver, B.C.

​

1993

• The Anxious Salon, MIT List Visual Arts Center, Cambridge, MA

• Reciprocities: Artists Choose Artists, Institute for Contemporary Art, Portland, ME

​

1992

• American Prints, traveling to gallery OH, gallery M, Aichi, Japan

• These Painters Shaped the Last Decade, Galleri Galtung, Oslo, Norway

• Gallery Artists, Jan Baum Gallery, Los Angeles, CA

​

1991

• Synthetic History, Parker Zanic Gallery, Los Angeles, CA

​

1990

• Introductions, Parker Zanic Gallery, Los Angeles, CA

​

EDUCATION

​

1990

• MFA Painting and Printmaking, Yale University, New Haven, CT

​

1988

• Skowhegan School of Painting and Sculpture, Skowhegan, ME

​

1987

• BFA Painting, San Francisco Art Institute, San Francisco, CA

• Yale at Norfolk Summer School for Painting and Music, Norfolk, CT

​

AWARDS

​

2023     

• Norwegian Cultural Council grant
   

2019

• Residency Fellowship PRAKSIS 13 “Out Looking Inwards” Oslo, Norway

​

2012

• Fondazion Andratx Residency, Andratx, Mallorca, Spain

​

2009

• OCA Grant for Exhibition Publication for “Form & Story”

​

2003

• Anonymous Was A Woman Grant

​

2002

• Scholarly Excellence Award, Rutgers University

​

2000

• Fondacion Valparaiso Residency, Spain

 

1999

• John Simon Guggenheim Memorial Foundation Fellowship, Painting

​

1996

• WESTAF/NEA Fellowship, Painting

​

1994

• Royalty Research Grant, University of Washington

​

1990

• Ingram-Merrill Fellowship

• Blair Dickinson Memorial Grant

​

TEACHING

​

2013-Present

• Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

​

2002-13

• Associate Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

​

2002-05

• Director of Graduate Studies, Mason Gross School of the Arts

​

2003

• Fall semester, Visiting Artist, Cooper Union, New York, NY

​

2001

• Spring semester, Visiting Artist, Cooper Union, New York, NY

​

1996-02

• Assistant Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

​

1993-96

• Assistant Professor, Painting, University of Washington, Seattle, WA

​

1991-93

• Lecturer in Painting, School of Art, Yale University, New Haven, CT

​

1993

• Spring semester, Critic, School of Architecture, Yale University, Haven, CT

​

SHORT TERM ENGAGEMENTS

​

2023   

• LNM/PRAKSIS Panel: Painters in conversation with Bjørn Båsen, Feb 6

• Double Blind book launch/conversation with Robert Bordo, Printed Matter Inc, NY Apr 28
   

2022

• NYC Crit Club, Visiting Artist Lecture, Oct 24

​

2021    

• Visiting Artist lecture, Akademi for Kunst, Helsinki, Finland Jan 20

• Panel Discussion “A Quiet Scale” with Josephine Halvorson, curator 
  Catherine Haggarty, Andrew Woolbright, SVA, Oct 26

​

2020  

• Visiting Artist, University of Maine, Nov 17

• Resident Artist, critic, lecturer, Lodestar School of Art, Co. Galway, Ireland Aug 6

​

2019

• Lecturer, Galleri Riis, PRAKSIS symposium, Oslo, Norway Mar 3

• Graduate Critic, Yale School of Art, New Haven, CT

​

2017

• Visiting Artist, Columbia University School of Art, New York, NY, Nov 1

• Visiting Artist and Critic, Vermont Studio Center, Johnson, VT, Aug 25-30

• Visiting Artist and Critic, Hunter University, New York, NY, Apr 5

​

2016

• Visiting Artist and Critic, Pennsylvania Academy of Fine Art, Philadelphia, PA, Feb 11

• Visiting Artist, Zimmerli Museum of Fine Art, New Brunswick, NJ, Apr 5

​

2015

• Visiting Artist lecture, Mason Gross School of the Arts, Rutgers, New Brunswick, NJ, Jan 28

• Visiting Artist and critic, University of the Arts, Philadelphia, PA, Apr 7

​

2014

• Visiting Artist and critic, Vermont Studio Program, Johnson, VT, Feb 21-26

• Visiting Artist lecture and critic, SUNY Purchase, NY, Jan 21
   

2013

• Visiting Artist and critic, Evergreen State College, Olympia, WA, Jan 23

• Visiting Artist and Graduate Critic, University of Washington, Seattle, WA, Jan 25

• Distinguished Visiting Artist and Critic, Maine College of Art, Portland, ME Apr 4

• Graduate Mentor, Vermont College of Art, Montpelier, fall semester

​

2012

• Visiting Artist, Royal Danish Art Academy, Copenhagen, DK, Nov 11-14

• Visiting Artist and Graduate Critic, MICA, Baltimore, MD, Sep 25

• Visiting Artist, Vermont Studio School, Johnson, VT, May 21-27

• Visiting Artist and Critic, University of Louisville, KY, Mar 21-22

​

2011

• Studio Lecture to Sarah Lawrence BAs, Brooklyn, NY, Feb 12

• Gallery Talk, Dortmund Bodega, Oslo, Norway, Mar 13

• Visiting Artist and Critic, Brandeis University, Boston, Apr 18, 19

​

2010

• The Expert’s Mind, DeYoung Museum, San Francisco, July 8-10

• Visiting Artist lecture and critic,  New York  Art Academy, Apr 22

• Visiting Artist Lecture, SUNY New Paltz, NY Dec 1

• Visiting Artist and  Graduate Critic, SUNY Buffalo, Buffalo, NY, Dec 6

• Visiting Artist and Critic, Kungliga Kunsthøgskolan, Stockholm, Sweden, Dec 13-14

​

2009

• Panel Discussion for “Form and Story”, Richmond Museum, Richmond, VA, Jan 20

• Visiting Artist Lecture and MFA Critic, RISD, RI, Apr 20-21

• Visiting Artist and Critic, Skowhegan School of Art, Skowhegan, ME, Summer

• Distinguished Lecturer, Mercer County College, NJ, Oct 13

​

2006

• Visiting Artist lecture and critic, Colby College, ME, Apr 11

• Visiting Artist lecture, Mason Gross School of the Arts, New Brunswick, NJ, Jan 25

• Visiting critic, Art OMI residency, Ghent, NY, July 18-19

​

2005

• Visiting Artist lecture and critic, University of the Arts, Philadelphia, PA, Nov 30

• Visiting Artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Ap 11

• Visiting artist lecture and critic, Williams College, Williamstown, MA, May 5

​

2004

• Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Feb 16

• Visiting artist lecture, Wright State University, Dayton, OH, Nov 7

​

2003

• Visiting artist lecture and critic, MacAlester College, Minneapolis, MN, May 7

• Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Mar 10

​

2002

• Visiting artist lecture and graduate critic, Montclair State University, Montclair, NJ, Feb 6, Mar 6, Apr 17

• Visiting artist lecture and critic, Maine College of Art, Portland, ME, Feb 22

​

2001

• Lecture, New York Studio School, New York, NY, May 1

• Visiting artist lecture and graduate critic, American University, Washington, D.C., Oct 23, Nov 13, Dec 4

• Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 10

• Lecture, Contemporary Art Gallery, Vancouver, B.C. Canada, October 20

• Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 15-22

​

2000

• Panel and lecture, CAA conference, chair by Joan Semmel, New York, NY, Feb 20

• Panel and lecture, “Writing the Body”, Green College, University of British Columbia, B.C. Apr 5

• Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Apr 6

• Week long Workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23

• Visiting artist lecture and critic, California State University, Long Beach, CA, Sep 13

• Visiting artist lecture, New York Academy, New York, NY, Oct 12, 

• 1999 Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18

• Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17

• Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7

​

1999

• Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18

• Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17

• Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7

​

1998

• Visiting artist lecture and critic, Cooper Union, New York, NY, Nov 2, 9, 16

• Visiting artist lecture and critic, University of North Texas, TX, Oct 5

• Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23

• Visiting artist lecture and critic, University of Indiana, Bloomington, IN, Mar 6,7,8

• Visiting artist lecture and graduate critic, Pennsylvania Academy, Philadelphia, PA, Apr 9
   

1997

• Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Nov 17

• Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 21

• Visiting artist and critic, Maine College of Art, Portland, ME, Oct 20

• Visiting artist lecture, invited to do a lithograph in print shop, School of Art, Yale University, New Haven, CT, Feb 28

​

1996

• Visiting artist lecture and graduate critic, University of Hawaii, Honolulu, HI, Mar 2

​

1995

• Visiting artist lecture, Cornish college of Art, Seattle, WA, Apr 3
   

1994

• Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Dec 8

• Visiting Artist lecture, Fine Arts Work Center, Provincetown, MA, Nov 25

​

1993

• Visiting artist lecture and graduate critic, San Francisco Art Institute, CA, Dec 7

• Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Oct 18

• Visiting artist lecture and graduate critic, Cornell University, Ithaca, NY, Mar 5

• Visiting artist lecture and graduate critic, Carnegie-Mellon University, Pittsburgh, PA, Mar 9
   

1992

• Visiting artist lecture and critic, Maine College of Art, Portland, ME, Apr 15-17

• Visiting artist lecture and workshop, Yale at Norfolk, Norfolk, CT, Sep 19

• Visiting artist lecture, New Haven Public Library, CT, Mar 26

​

1991

• Visiting artist lecture, Nova Scotia College of Art and Design, Halifax, NS, Canada, Mar 8

​

1990

• Visiting artist lecture, University of Iowa, Iowa City, IA, Apr 24

​

1989

• Introductory lecture given at first “Day Without Art:World AIDS Day” School of Art, Yale University, New Haven, CT, Dec 1

​

PANELS, JURYING, CURATING

​

2021   

• Panel Discussion “A Quiet Scale” with Josephine Halvorson, curator
  Catherine Haggarty, Andrew Woolbright, SVA, Oct 26

​​

2012

• Panel discussion in conjunction with exhibit “Form & Story”, moderated by Liz Schlatter, Museum of Richmond, VA, Jan 19

• Lecture and panel discussion “Painting/Paradox” moderated by Gavin Jantjes, Nasjonalmuseet, Oslo, Norway, Nov 17

• Co-curating “Dirt Tongue” with Suzanne McClelland, Kunsthalle CCA Andratx, Mallorca, Spain, Jul/Aug 2009

​

2001

• Panel discussion in conjunction with exhibit ClenchClutchFlinch, moderated by Dominique Nahas, Paul Rodgers Gallery/9W, New York, NY, Jun 26

• Appearance/feature in “EGG”, Channel 13’s Television Arts Magazine, screened, Nov 2

​

2000

• CAA Conference panel: “The Body in Art” chaired by Joan Semmel, New York, NY, Feb 20

​

1998

• Curating “Carol Schlosberg 1957-1998” and writing text for catalog, Yale Art Gallery, New Haven, CT, Jun 15 to Aug 15

​

1996

• Radio interview with Shelley Bancroft on “Art in your Ear”, UW Station, Jul 20

​

1994

• Discussion and tour with Jeffry Mitchell, Seattle Museum, WA, Oct 22

​

1993

• Panel discussion:”Narrative Content in Recent Figurative Art”, MIT List Visual Arts Center, Cambridge, MA, Oct 16

​

1992

• Initiated and organized silent auction of Yale School of Art faculty work; all proceeds to the Needle Exchange Program,
  AIDS Outreach and ACT-UP, Dec 1

• Jury for “How We See”, Women’s Center, Yale University, New Haven, CT, Nov 1

​

REVIEWS

​

2024

• Prototype 1.0, by Tom McGlynn, Brooklyn Rail (May)

• Prototype 1.0 curated by Tomas Vu at Springs Projects, by Jenny Wang, Artefuse (May 19)
   

2023

• Kunstkritikk: “Bildets biologi” by Stian Gabrielsen (Feb 23)

​

2021  

• Kunstavisen: “På søk etter maleriets muligheter” by Arve Rød (Mar 5)

• Klassekampen: cover feature (Feb 4)

​

2020

• ArTribune: “Collezione Kagge di Bolzano”, Oct 14

• Financial Times: “It is not rational”, Sep 17

​

2017  

• Art in Print: “Hanneline Røgeberg” by Julie Bernatz, Vol-6 p.19, (Mar)

​

2011

• Morgenbladet, Norway: “Olsson Anbefaler” by Tommy Olsson, p37, Mar 11-17

​

2009

• URGE, Richmond, VA: “Form & Story”, by Petie Bogen-Garrett, Mar 1

​

2004

• Dayton Daily News, Dayton, OH, ”Three Voices” unites painters at Wright State” by Ron Rollins, p. F1, F6, Nov 7

​

2001

• Artnet Magazine, “Drawing Notebook: review by N.F. Karlins, Jul 10

​

2000

• Vancouver Sun, B.C. “A Divine Spark” by Michael Scott, p. B11, Apr 10

​

1999

• New Yorker, “Goings on About Town: The Aldrich Museum’s The Nude in Contemporary Art”, staff, p. 16, Sep 2

• The Georgia Straight, Vancouver B.C. “Intimate Explorations Gets Under Viewer’s Skin” by Paula Gustavson, Apr 22

• Artichoke, Canada “Small Paintings” by Paula Gustavson, p. 40, fall/winter issue

• Aftenposten, Norway “Amerikans Prestisjepris til Rogeberg”, staff, p.26, Apr 17

• Vancouver Sun, B.C. “Hanneline Rogebrg: by Michael Scott, p. C16, Apr 15

• The New York Times: “In Connecticut, the Scars of war, the Works of Peace” by Roberta Smith, p. E36, Jul 30

• Dagsavisen, Norway: “Maler I New York” by Nina Johnsrud, p.22, Oct 15

• VG, Norway: “Svartmaler” by Alf Bjarne Johnsen, p. 37, May 10

• Prisma, Norway: “Den Nakne Sannhet” p.9, fall issue

• Aftenposten, Norway: “Forstyrrende Hud” by Lotte Sandberg, p.22, Nov 1

• Dagsvisen, Norway: “Kvinnekroppen som Subject” by Anne Schaffer, p. 16,  Oct 24

• Aftenposten, Norway: “Kultur”, p.12, Oct 16

• Dagens Naeringsliv, Norway: “Figurativ Feminisme” by Jan Kokkin, p.29, Oct 16

• VG, Norway: “Kunstner mot Strommen” by Jens Henrik Stromland, p. 41, Oct 17

• Dagbladet, Norway: “Slaande Kroppssprak” by Harald Flohr, p. 4, Nov 11

• The Dallas Morning News: “Two Artists with Something to Say, Figuratively” by Charles D. Mitchell, p. 22 (Sept.11)

 

1997

• Fort Worth Star Telegram: “It Figures”, staff p. 6, Sep 6

• Los Angeles Times: “Body Language meets the Naked Truth” by Cathy Curtis, p. 24, Aug 26

• Los Angeles Times: “Powerful, Intriguing Works: Corpora in Extremis” by William Wilson, p. 22, Apr 1

​

1996

• The Washington Post: “Interesting Changes in Art” by Jo Ann Lewis, p.43,  Jan 7

​

1995

• Artichoke, Canada: “Hanneline Rogeberg:Under the Skin” by Paula Gustavson front cover, p. 15, 16, 17, fall/winter issue

• Provocateur: “Hanneline Rogeberg” by Ryan Bookhart, p. 48, 49, 50, 51, premier issue

• The Washington Times: “Imaginative Impressions of Norway” by Eleanor Kennelly p. C10, Nov 19

• The New York Times: “Multiculturalism is Stressed in “The Reconstructed Figure” by Vivien Raynor, p. 16, Jul 9

• The New York Times: Hudson Valley Crop” by Michael Kimmelman, p. C16, Jul 16

• The Cincinnati Post:”Contemporary Art Center show mystifies, fascinates” by Jerry Stein, p. F1. Jun 20

• The Cincinnati Enquirer: “Artists focus on distressing trend: by Owen Findsen p. F6, Jun 18

​

1994

• The Georgia Straight, B.C.:”Hefty Nudes Evoke Sheer Sensation: by Paula Gustavson, p. 50, Oct 14

• The Vancouver Sun, B.C.: “The Art that Breeds Discomfort” by Max Wyman p. D3, Oct 8

• The New Pacific, Canada: “Forms of Expression” by Carol Berger, p. 26, 27, 28, 29, summer issue

​

1993

• Dagbladet, Norway: “Norsk kvinnekunst til USA” by Inger Bentzrud, p.14, May 2

• Maine Sunday Telegram: “Thoughts on the World, Thoughts about Each Other” By Ken Greenleaf, p. 8E, Nov 11

• The Boston Herald: “Exhibit of Narrative Art Shows Underbelly of Life” By Mary Sherman, p. 34, Nov 5

• The Boston Globe: “The Naked and the Dread” by Christine Temin, p.61, 65, Oct 19

​

PUBLICATIONS

​

2023 

• Double Blind, artist book, essay by Faye Hirsch, Space Sisters Press

​

2021

• A Quiet Scale catalog, essay by Andre Woolbright, SVA Flatiron Galleries

    

2015

• Essay for “Painters on Painting”, online blog, published June 11

• Draw/Mapping Madness, catalog issued by InsideOut Art Museum, Beijing, China

• The Bone, catalogue with essay by Glenn Ligon, Blackston Gallery, NY

 

2014 

• Thinking Through painting, anthology issued by IASPIS, Sweden

• An Apetite for Painting/Painting Paradox, anthology of panel presentations at

• The Museum of Contemporary Art, Oslo in 2013

​

2013

• Never Odd or Even, catalogue with essay by Claire Barliant; Conversation between Robert Bordo and artist, Blackston Gallery

• LaNorda: essay for “The Rug Pulled Out from Under”, Hedreen Gallery2012 

​

2012

• ACNE Paper: Feature, “Hanneline Røgeberg in conversation with Siri  Hustvedt” Spring Issue

• Transcribed lecture in English and Norwegian “Painting/Paradox”, Nasjonalmuseet, Oslo, Norway

• Essay for Jeffry Mitchell monograph “Like a Valentine”, Henry Art Museum, Seattle, WA

• Essay in La Norda, in conjunction with “The Rug Pulled Out”, Seattle, WA

​

2010

• Cover art for “Mr. Worthingtons’s Beautiful Experiments on Splashes” by Genine Lentine, New Michigan Press

​

2009

• Form and Story, catalog with transcription of panel discussion, University of Richmond Museum

• Figuratively Seeing, Massachusetts College of Art and Design

​

2008

• Every Body Counts, Vestfossen Kunstlaboratorium, Norway

​

2006

• Ninth Letter, Vol.3, No.1, University of Illinois at Urbana-Champaign

​

2004

• Building Tradition: The Northwest Art Collection, Tacoma Art Museum

​

2001

• Clench/Clutch/Flinch, text by Dominique Nahas, Paul Rodgers Gallery

• Gesundheit, text by Michael Madore, online journal “Artbrain”

• Perceiving Life, exhibition catalog, Frye Art Museum
   

2000

• Kunstaarboken, Universitetsforlaget, Norway

• The Figure: The Other Side of Modernism, exhibition catalog, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center

​

1999

• Hanneline Rogeberg, exhibition catalog, Henie-Onstad Kunst Center, Norway

• Fire kvinner Fire Sprak, Henie-Onstad Kunst Centre, Norway

• Zero G: When Gravity Becomes Form, exhibition catalog, Whitney Museum of American Art

• The Nude in Contemporary Art, exhibition catalog, Aldrich Museum of Contemporary Art
   

1998

• Corpora in Extremis, exhibition brochure, Loyola Marymount University, LA

• Parallaxis, text by Lucy Lippard, Rina Swentzell, published by WESTAF

• Body language, exhibition brochure, Art Institute of Southern California

​

1996

• Naked Truths, texts by John Yau, Allan de Souza, David Medalla, exhibition catalog, University Museum of Hawaii

• At Century’s End, exhibition catalog, Henie-Onstad Kunst Centre, Norway

​

1995

• The Reconstructed Figure, exhibition catalog, Katonah Art Museum

• HORIZON: Alternatives, exhibition brochure, text by Elaine King, Contemporary Art Center, Cincinnati

• Vital Signs, exhibition catalog, Municipal Art Gallery, LA

​

1994

• Hanneline Rogeberg, exhibition catalog, text by Ann Wilson Lloyd, Diane Farris Gallery

​

1993

• The Anxious Salon, texts by Helaine Posner, Ron Platt, MIT List Visual Arts Center

​

​

​