CV
SOLO EXHIBITIONS
2024 In Formation, Galleri Riis, Oslo, Norway
2023 Double Blind, Galleri Riis, Oslo, Norway
2021 A Quiet Scale, with Josephine Halvorson, SVA Flatiron Galleries, New York, NY
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To the Ground, Galleri Riis, Oslo, Norway
2019 Zerosandones, Galleri Riis, Oslo, Norway
2017 Hard Sauce, Thomas Erben Gallery, New York, NY
2016 Hanneline Røgeberg, 10 Grand Press, Artist Editions & Book Fair, New York, NY
2015 Off the Bone, Blackston, New York, NY
2014 Hanneline Røgeberg, NADA Art Fair, New York, NY
2013 Never Odd Or Even, Blackston Gallery, New York, NY
2011 Fur & Sheikh, Dortmund Bodega, Oslo, Norway
2009 Form and Story, Museum of Richmond, VA
2005 Patte, Tracey Lawrence Gallery, Vancouver, B.C.
2004 Hanneline Røgeberg, University Museum Wright University, Dayton, OH
2001 Anagram, Tracey Lawrence Gallery, Vancouver, B.C.
1999 Hanneline Røgeberg: Malerier 1994-1999, Henie-Onstad Kunst Senter, Oslo, Norway
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Small Works, Wittman Lawrence Gallery, Vancouver, B.C.
1997 Corpora, LaBand Art Gallery, Loyola Marymount University, Los Angeles, CA
1995 Horizons, Contemporary Art Center, Cincinnati, OH
1994 Hanneline Røgeberg, Diane Farris Gallery, Vancouver, B.C.
1992 Hanneline Røgeberg, Southern Connecticut State University, New Haven, CT
1990 Hanneline Røgeberg, Parker Zanic Gallery, Los Angeles, CA
GROUP EXHIBITIONS
2024 Prototype 1.0, curated by Tomas Vu, Springs Projects, New York, NY
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Composition for the Left Hand, curated by Marta Kuzma from the Kagge Collection and
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Rasmus Meyer Collection, KODE museums, Bergen, Norway
2023 Come A Little Closer, DC Moore Gallery, New York, NY
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Philosophical Investigations, Platform Project Space, Brooklyn, NY
2022 Printer’s Proof, with 10 Grand Press, Albuquerque Museum, NM
2020 Norda, Collezione Erling Kagge, Museion, Bolzano, Italy
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Monoprints from 10 Grand Press, Washington Art Association, Washington Depot, CT
2019 Sotto Voce, Bortolami Gallery, New York, NY
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Open Field, Brooklyn Navy Yard Museum, Brooklyn, NY
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Distance, Dorsky Gallery Curatorial Program, New York, NY
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12x12- 2019, Black Ball Projects, New York, NY
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Pulled in Brooklyn, International Print Center New York, New York, NY
2017 Baltimore Contemporary Print Fair, 10 Grand Press, Baltimore, MD
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Painting in Due Time, Thomas Erben Gallery, New York, NY
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Put me in the Zoo, Lucien Terras Project, New York, NY
2016 In Color, 33 Montezuma Arts, Sante Fe, NM
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Inaugural Show, Galleri Riis, Oslo, Norway
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Vermont Studio Benefit, curated by Glenn Goldberg, White Box, New York, NY
2015 Draw: Mapping Madness, curated by Tomas Vu and Rirkrit Tiravanija, Inside-Out Art Museum, Beijing, China
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Skin, part 1, National Exemplar, New York, NY
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Living Threads, New York Studio School Gallery, New York, NY
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Plus1, curated by Wes Sherman, The Center for Contemporary Art, Bedminster, NJ
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“_____”, curated by Patricia Brace, No Holds Barred, New York, NY
2014 “Warm Math”, organized by Alexander May, Balice Hertling, New York, NY
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“Legs”, National Exemplar, New York, NY
2013
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The Rug Pulled Out From Under, Hedreen Gallery, Seattle, WA
2012
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Dirt Tongue, CCA Kunsthalle Andratx, Mallorca, Spain
2011 Flesh Art, curated by Jose Rodeiro, Jersey City Museum, Jersey City, NJ
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Norway in New York Now, curated by Omar Lopez-Chaoud, Galleri NO, New York, NY
2010 Portraiture for the Silicone Enlightenment (Fuckheads), curated by Angela Dufresne, SCA Contemporary Art, Albuquerque, NM
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A Reluctant Apparition, Sue Scott Gallery, NYC, NY
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MAN DIES, Arch Collective, Brooklyn, NY
2009 Slough, David Nolan Gallery, curated by Steve DiBenedetto, NYC, NY
2008 Never Did She Ever…, curated by LaToya Ruby Frazier, Mason Gross Gallery, Rutgers University, New Brunswick, NJ
2007 Norske Bilder, Galleri Brandstrup, Oslo, Norway
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30th Anniversary Exhibition, Jan Baum Gallery, Los Angeles, CA
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Drawings, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY
2006 Bearings, curated by Allen Frame, PS. 122, New York, NY
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Urban Visionaries, Cooper Union Gallery, New York, NY
2005 The Subjective Figure, Robert Miller Gallery, New York, NY
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Desire, Kent Gallery, New York, NY
2004 Portraits, Esso Gallery, New York, NY
2003 Toronto Art Fair, Toronto, Canada
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Faculty Show, Cooper Union Gallery, Cooper Union, New York, NY
2002 Perceiving Life, Frye Art Museum, Seattle, WA
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Lysis, Pamela Auchincloss Project Room, New York, NY
2001 Alumni Choice Exhibition, Yale Art Gallery, New Haven, CT
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ClenchClutchFlinch, Paul Rodgers Gallery/9W, New York, NY
2000 Imaging the Wunderboard, London Biennale 2000, Center for Freudian Analysis and Research, London, UK
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Private World, Art in General, New York, NY
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The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
1999 Go Figure, Neiman Gallery, Columbia University, New York, NY
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Nude in Contemporary Art, The Aldrich Museum of Contemporary Art, Ridgefield, CT
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Zero G: When Gravity Becomes Form, Whitney Museum of American Art, Stamford, CT
1998 Commitment to Image, The Museum of the University of North Texas, Denton, TX
1997 Naked Truth: The Figure in Contemporary Art, Art Gallery of Greater Victoria at Simon Frazer University, Victoria, B.C
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Remembrance of Exhibitions past, Jan Baum Gallery, Los Angeles, CA
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Body Language:Current Figurative Painters, Art Institute of Southern California, Laguna Beach, CA
1996 Naked, University of Hawaii Art Gallery, Honolulu, HI
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Works on Paper, Tacoma Art Museum, Tacoma, WA
1995 47th Annual Purchase Exhibition, American Arts and Letters, New York, NY
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The Reconstructed Figure, Katonah Art Museum, Katonah, NY
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Vital Signs, Municipal Art Gallery, Los Angeles, CA
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At Century’s End: The Figure in Norwegian Painting, National Museum for Women in the Arts, Washington,D.C.; Henie-Onstad Kunst Center, Norway
1994 Sacred and Profane, Jan Baum Gallery, Los Angeles, CA
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Gallery Artists, Diane Farris, Vancouver, B.C.
1993 The Anxious Salon, MIT List Visual Arts Center, Cambridge, MA
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Reciprocities: Artists Choose Artists, Institute for Contemporary Art, Portland, ME
1992 American Prints, traveling to gallery OH, gallery M, Aichi, Japan
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These Painters Shaped the Last Decade, Galleri Galtung, Oslo, Norway
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Gallery Artists, Jan Baum Gallery, Los Angeles, CA
1991 Synthetic History, Parker Zanic Gallery, Los Angeles, CA
1990 Introductions, Parker Zanic Gallery, Los Angeles, CA
EDUCATION
1990 MFA Painting and Printmaking, Yale University, New Haven, CT
1988 Skowhegan School of Painting and Sculpture, Skowhegan, ME
1987 BFA Painting, San Francisco Art Institute, San Francisco, CA
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Yale at Norfolk Summer School for Painting and Music, Norfolk, CT
AWARDS
2023 Norwegian Cultural Council grant
2019 Residency Fellowship PRAKSIS 13 “Out Looking Inwards” Oslo, Norway
2012 Fondazion Andratx Residency, Andratx, Mallorca, Spain
2009 OCA Grant for Exhibition Publication for “Form & Story”
2003 Anonymous Was A Woman Grant
2002 Scholarly Excellence Award, Rutgers University
2000 Fondacion Valparaiso Residency, Spain
1999 John Simon Guggenheim Memorial Foundation Fellowship, Painting
1996 WESTAF/NEA Fellowship, Painting
1994 Royalty Research Grant, University of Washington
1990 Ingram-Merrill Fellowship
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Blair Dickinson Memorial Grant
TEACHING
2013-Present Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ
2002-13 Associate Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ
2002-05 Director of Graduate Studies, Mason Gross School of the Arts
2003 Fall semester, Visiting Artist, Cooper Union, New York, NY
2001 Spring semester, Visiting Artist, Cooper Union, New York, NY
1996-02 Assistant Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ
1993-96 Assistant Professor, Painting, University of Washington, Seattle, WA
1991-93 Lecturer in Painting, School of Art, Yale University, New Haven, CT
1993 Spring semester, Critic, School of Architecture, Yale University, Haven, CT
SHORT TERM ENGAGEMENTS
2023 LNM/PRAKSIS Panel: Painters in conversation with Bjørn Båsen, Feb 6
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Double Blind book launch/conversation with Robert Bordo, Printed Matter Inc, NY Apr 28
2022 NYC Crit Club, Visiting Artist Lecture, Oct 24
2021 Visiting Artist lecture, Akademi for Kunst, Helsinki, Finland Jan 20
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Panel Discussion “A Quiet Scale” with Josephine Halvorson, curator
Catherine Haggarty, Andrew Woolbright, SVA, Oct 26
2020 Visiting Artist, University of Maine, Nov 17
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Resident Artist, critic, lecturer, Lodestar School of Art, Co. Galway, Ireland Aug 6
2019 Lecturer, Galleri Riis, PRAKSIS symposium, Oslo, Norway Mar 3
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Graduate Critic, Yale School of Art, New Haven, CT
2017 Visiting Artist, Columbia University School of Art, New York, NY, Nov 1
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Visiting Artist and Critic, Vermont Studio Center, Johnson, VT, Aug 25-30
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Visiting Artist and Critic, Hunter University, New York, NY, Apr 5
2016 Visiting Artist and Critic, Pennsylvania Academy of Fine Art, Philadelphia, PA, Feb 11
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Visiting Artist, Zimmerli Museum of Fine Art, New Brunswick, NJ, Apr 5
2015 Visiting Artist lecture, Mason Gross School of the Arts, Rutgers, New Brunswick, NJ, Jan 28
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Visiting Artist and critic, University of the Arts, Philadelphia, PA, Apr 7
2014 Visiting Artist and critic, Vermont Studio Program, Johnson, VT, Feb 21-26
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Visiting Artist lecture and critic, SUNY Purchase, NY, Jan 21
2013 Visiting Artist and critic, Evergreen State College, Olympia, WA, Jan 23
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Visiting Artist and Graduate Critic, University of Washington, Seattle, WA, Jan 25
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Distinguished Visiting Artist and Critic, Maine College of Art, Portland, ME Apr 4
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Graduate Mentor, Vermont College of Art, Montpelier, fall semester
2012 Visiting Artist, Royal Danish Art Academy, Copenhagen, DK, Nov 11-14
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Visiting Artist and Graduate Critic, MICA, Baltimore, MD, Sep 25
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Visiting Artist, Vermont Studio School, Johnson, VT, May 21-27
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Visiting Artist and Critic, University of Louisville, KY, Mar 21-22
2011 Studio Lecture to Sarah Lawrence BAs, Brooklyn, NY, Feb 12
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Gallery Talk, Dortmund Bodega, Oslo, Norway, Mar 13
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Visiting Artist and Critic, Brandeis University, Boston, Apr 18, 19
2010 The Expert’s Mind, DeYoung Museum, San Francisco, July 8-10
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Visiting Artist lecture and critic, New York Art Academy, Apr 22
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Visiting Artist Lecture, SUNY New Paltz, NY Dec 1
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Visiting Artist and Graduate Critic, SUNY Buffalo, Buffalo, NY, Dec 6
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Visiting Artist and Critic, Kungliga Kunsthøgskolan, Stockholm, Sweden, Dec 13-14
2009 Panel Discussion for “Form and Story”, Richmond Museum, Richmond, VA, Jan 20
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Visiting Artist Lecture and MFA Critic, RISD, RI, Apr 20-21
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Visiting Artist and Critic, Skowhegan School of Art, Skowhegan, ME, Summer
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Distinguished Lecturer, Mercer County College, NJ, Oct 13
2006 Visiting Artist lecture and critic, Colby College, ME, Apr 11
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Visiting Artist lecture, Mason Gross School of the Arts, New Brunswick, NJ, Jan 25
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Visiting critic, Art OMI residency, Ghent, NY, July 18-19
2005 Visiting Artist lecture and critic, University of the Arts, Philadelphia, PA, Nov 30
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Visiting Artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Ap 11
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Visiting artist lecture and critic, Williams College, Williamstown, MA, May 5
2004 Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Feb 16
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Visiting artist lecture, Wright State University, Dayton, OH, Nov 7
2003 Visiting artist lecture and critic, MacAlester College, Minneapolis, MN, May 7
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Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Mar 10
2002 Visiting artist lecture and graduate critic, Montclair State University, Montclair, NJ, Feb 6, Mar 6, Apr 17
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Visiting artist lecture and critic, Maine College of Art, Portland, ME, Feb 22
2001 Lecture, New York Studio School, New York, NY, May 1
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Visiting artist lecture and graduate critic, American University, Washington, D.C., Oct 23, Nov 13, Dec 4
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Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 10
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Lecture, Contemporary Art Gallery, Vancouver, B.C. Canada, October 20
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Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 15-22
2000 Panel and lecture, CAA conference, chair by Joan Semmel, New York, NY, Feb 20
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Panel and lecture, “Writing the Body”, Green College, University of British Columbia, B.C. Apr 5
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Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Apr 6
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Week long Workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23
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Visiting artist lecture and critic, California State University, Long Beach, CA, Sep 13
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Visiting artist lecture, New York Academy, New York, NY, Oct 12,
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1999 Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18
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Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17
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Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7
1999 Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18
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Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17
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Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7
1998 Visiting artist lecture and critic, Cooper Union, New York, NY, Nov 2, 9, 16
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Visiting artist lecture and critic, University of North Texas, TX, Oct 5
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Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23
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Visiting artist lecture and critic, University of Indiana, Bloomington, IN, Mar 6,7,8
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Visiting artist lecture and graduate critic, Pennsylvania Academy, Philadelphia, PA, Apr 9
1997 Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Nov 17
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Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 21
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Visiting artist and critic, Maine College of Art, Portland, ME, Oct 20
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Visiting artist lecture, invited to do a lithograph in print shop, School of Art, Yale University, New Haven, CT, Feb 28
1996 Visiting artist lecture and graduate critic, University of Hawaii, Honolulu, HI, Mar 2
1995 Visiting artist lecture, Cornish college of Art, Seattle, WA, Apr 3
1994 Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Dec 8
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Visiting Artist lecture, Fine Arts Work Center, Provincetown, MA, Nov 25
1993 Visiting artist lecture and graduate critic, San Francisco Art Institute, CA, Dec 7
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Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Oct 18
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Visiting artist lecture and graduate critic, Cornell University, Ithaca, NY, Mar 5
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Visiting artist lecture and graduate critic, Carnegie-Mellon University, Pittsburgh, PA, Mar 9
1992 Visiting artist lecture and critic, Maine College of Art, Portland, ME, Apr 15-17
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Visiting artist lecture and workshop, Yale at Norfolk, Norfolk, CT, Sep 19
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Visiting artist lecture, New Haven Public Library, CT, Mar 26
1991 Visiting artist lecture, Nova Scotia College of Art and Design, Halifax, NS, Canada, Mar 8
1990 Visiting artist lecture, University of Iowa, Iowa City, IA, Apr 24
1989 Introductory lecture given at first “Day Without Art:World AIDS Day” School of Art, Yale University, New Haven, CT, Dec 1
PANELS, JURYING, CURATING
2021 Panel Discussion “A Quiet Scale” with Josephine Halvorson, curator
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Catherine Haggarty, Andrew Woolbright, SVA, Oct 26
2012 Panel discussion in conjunction with exhibit “Form & Story”, moderated by Liz Schlatter, Museum of Richmond, VA, Jan 19
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Lecture and panel discussion “Painting/Paradox” moderated by Gavin Jantjes, Nasjonalmuseet, Oslo, Norway, Nov 17
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Co-curating “Dirt Tongue” with Suzanne McClelland, Kunsthalle CCA Andratx, Mallorca, Spain, Jul/Aug 2009
2001 Panel discussion in conjunction with exhibit ClenchClutchFlinch, moderated by Dominique Nahas, Paul Rodgers Gallery/9W, New York, NY, Jun 26
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Appearance/feature in “EGG”, Channel 13’s Television Arts Magazine, screened, Nov 2
2000 CAA Conference panel: “The Body in Art” chaired by Joan Semmel, New York, NY, Feb 20
1998 Curating “Carol Schlosberg 1957-1998” and writing text for catalog, Yale Art Gallery, New Haven, CT, Jun 15 to Aug 15
1996 Radio interview with Shelley Bancroft on “Art in your Ear”, UW Station, Jul 20
1994 Discussion and tour with Jeffry Mitchell, Seattle Museum, WA, Oct 22
1993 Panel discussion:”Narrative Content in Recent Figurative Art”, MIT List Visual Arts Center, Cambridge, MA, Oct 16
1992 Initiated and organized silent auction of Yale School of Art faculty work; all proceeds to the Needle Exchange Program,
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AIDS Outreach and ACT-UP, Dec 1
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Jury for “How We See”, Women’s Center, Yale University, New Haven, CT, Nov 1
REVIEWS
2024 Prototype 1.0, by Tom McGlynn, Brooklyn Rail (May)
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Prototype 1.0 curated by Tomas Vu at Springs Projects, by Jenny Wang, Artefuse (May 19)
2023 Kunstkritikk: “Bildets biologi” by Stian Gabrielsen (Feb 23)
2021 Kunstavisen: “På søk etter maleriets muligheter” by Arve Rød (Mar 5)
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Klassekampen: cover feature (Feb 4)
2020 ArTribune: “Collezione Kagge di Bolzano”, Oct 14
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Financial Times: “It is not rational”, Sep 17
2017 Art in Print: “Hanneline Røgeberg” by Julie Bernatz, Vol-6 p.19, (Mar)
2011 Morgenbladet, Norway: “Olsson Anbefaler” by Tommy Olsson, p37, Mar 11-17
2009 URGE, Richmond, VA: “Form & Story”, by Petie Bogen-Garrett, Mar 1
2004 Dayton Daily News, Dayton, OH, ”Three Voices” unites painters at Wright State” by Ron Rollins, p. F1, F6, Nov 7
2001 Artnet Magazine, “Drawing Notebook: review by N.F. Karlins, Jul 10
2000 Vancouver Sun, B.C. “A Divine Spark” by Michael Scott, p. B11, Apr 10
1999 New Yorker, “Goings on About Town: The Aldrich Museum’s The Nude in Contemporary Art”, staff, p. 16, Sep 2
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The Georgia Straight, Vancouver B.C. “Intimate Explorations Gets Under Viewer’s Skin” by Paula Gustavson, Apr 22
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Artichoke, Canada “Small Paintings” by Paula Gustavson, p. 40, fall/winter issue
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Aftenposten, Norway “Amerikans Prestisjepris til Rogeberg”, staff, p.26, Apr 17
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Vancouver Sun, B.C. “Hanneline Rogebrg: by Michael Scott, p. C16, Apr 15
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The New York Times: “In Connecticut, the Scars of war, the Works of Peace” by Roberta Smith, p. E36, Jul 30
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Dagsavisen, Norway: “Maler I New York” by Nina Johnsrud, p.22, Oct 15
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VG, Norway: “Svartmaler” by Alf Bjarne Johnsen, p. 37, May 10
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Prisma, Norway: “Den Nakne Sannhet” p.9, fall issue
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Aftenposten, Norway: “Forstyrrende Hud” by Lotte Sandberg, p.22, Nov 1
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Dagsvisen, Norway: “Kvinnekroppen som Subject” by Anne Schaffer, p. 16, Oct 24
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Aftenposten, Norway: “Kultur”, p.12, Oct 16
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Dagens Naeringsliv, Norway: “Figurativ Feminisme” by Jan Kokkin, p.29, Oct 16
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VG, Norway: “Kunstner mot Strommen” by Jens Henrik Stromland, p. 41, Oct 17
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Dagbladet, Norway: “Slaande Kroppssprak” by Harald Flohr, p. 4, Nov 11
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The Dallas Morning News: “Two Artists with Something to Say, Figuratively” by Charles D. Mitchell, p. 22 (Sept.11)
1997 Fort Worth Star Telegram: “It Figures”, staff p. 6, Sep 6
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Los Angeles Times: “Body Language meets the Naked Truth” by Cathy Curtis, p. 24, Aug 26
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Los Angeles Times: “Powerful, Intriguing Works: Corpora in Extremis” by William Wilson, p. 22, Apr 1
1996 The Washington Post: “Interesting Changes in Art” by Jo Ann Lewis, p.43, Jan 7
1995 Artichoke, Canada: “Hanneline Rogeberg:Under the Skin” by Paula Gustavson front cover, p. 15, 16, 17, fall/winter issue
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Provocateur: “Hanneline Rogeberg” by Ryan Bookhart, p. 48, 49, 50, 51, premier issue
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The Washington Times: “Imaginative Impressions of Norway” by Eleanor Kennelly p. C10, Nov 19
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The New York Times: “Multiculturalism is Stressed in “The Reconstructed Figure” by Vivien Raynor, p. 16, Jul 9
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The New York Times: Hudson Valley Crop” by Michael Kimmelman, p. C16, Jul 16
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The Cincinnati Post:”Contemporary Art Center show mystifies, fascinates” by Jerry Stein, p. F1. Jun 20
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The Cincinnati Enquirer: “Artists focus on distressing trend: by Owen Findsen p. F6, Jun 18
1994 The Georgia Straight, B.C.:”Hefty Nudes Evoke Sheer Sensation: by Paula Gustavson, p. 50, Oct 14
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The Vancouver Sun, B.C.: “The Art that Breeds Discomfort” by Max Wyman p. D3, Oct 8
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The New Pacific, Canada: “Forms of Expression” by Carol Berger, p. 26, 27, 28, 29, summer issue
1993 Dagbladet, Norway: “Norsk kvinnekunst til USA” by Inger Bentzrud, p.14, May 2
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Maine Sunday Telegram: “Thoughts on the World, Thoughts about Each Other” By Ken Greenleaf, p. 8E, Nov 11
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The Boston Herald: “Exhibit of Narrative Art Shows Underbelly of Life” By Mary Sherman, p. 34, Nov 5
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The Boston Globe: “The Naked and the Dread” by Christine Temin, p.61, 65, Oct 19
PUBLICATIONS
2023 Double Blind, artist book, essay by Faye Hirsch, Space Sisters Press
2021 A Quiet Scale catalog, essay by Andre Woolbright, SVA Flatiron Galleries
2015 Essay for “Painters on Painting”, online blog, published June 11
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Draw/Mapping Madness, catalog issued by InsideOut Art Museum, Beijing, China
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The Bone, catalogue with essay by Glenn Ligon, Blackston Gallery, NY
2014 Thinking Through painting, anthology issued by IASPIS, Sweden
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An Apetite for Painting/Painting Paradox, anthology of panel presentations at
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The Museum of Contemporary Art, Oslo in 2013
2013 Never Odd or Even, catalogue with essay by Claire Barliant; Conversation between Robert Bordo and artist, Blackston Gallery
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LaNorda: essay for “The Rug Pulled Out from Under”, Hedreen Gallery2012
2012 ACNE Paper: Feature, “Hanneline Røgeberg in conversation with Siri Hustvedt” Spring Issue
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Transcribed lecture in English and Norwegian “Painting/Paradox”, Nasjonalmuseet, Oslo, Norway
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Essay for Jeffry Mitchell monograph “Like a Valentine”, Henry Art Museum, Seattle, WA
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Essay in La Norda, in conjunction with “The Rug Pulled Out”, Seattle, WA
2010 Cover art for “Mr. Worthingtons’s Beautiful Experiments on Splashes” by Genine Lentine, New Michigan Press
2009 Form and Story, catalog with transcription of panel discussion, University of Richmond Museum
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Figuratively Seeing, Massachusetts College of Art and Design
2008 Every Body Counts, Vestfossen Kunstlaboratorium, Norway
2006 Ninth Letter, Vol.3, No.1, University of Illinois at Urbana-Champaign
2004 Building Tradition: The Northwest Art Collection, Tacoma Art Museum
2001 Clench/Clutch/Flinch, text by Dominique Nahas, Paul Rodgers Gallery
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Gesundheit, text by Michael Madore, online journal “Artbrain”
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Perceiving Life, exhibition catalog, Frye Art Museum
2000 Kunstaarboken, Universitetsforlaget, Norway
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The Figure: The Other Side of Modernism, exhibition catalog, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center
1999 Hanneline Rogeberg, exhibition catalog, Henie-Onstad Kunst Center, Norway
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Fire kvinner Fire Sprak, Henie-Onstad Kunst Centre, Norway
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Zero G: When Gravity Becomes Form, exhibition catalog, Whitney Museum of American Art
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The Nude in Contemporary Art, exhibition catalog, Aldrich Museum of Contemporary Art
1998 Corpora in Extremis, exhibition brochure, Loyola Marymount University, LA
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Parallaxis, text by Lucy Lippard, Rina Swentzell, published by WESTAF
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Body language, exhibition brochure, Art Institute of Southern California
1996 Naked Truths, texts by John Yau, Allan de Souza, David Medalla, exhibition catalog, University Museum of Hawaii
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At Century’s End, exhibition catalog, Henie-Onstad Kunst Centre, Norway
1995 The Reconstructed Figure, exhibition catalog, Katonah Art Museum
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HORIZON: Alternatives, exhibition brochure, text by Elaine King, Contemporary Art Center, Cincinnati
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Vital Signs, exhibition catalog, Municipal Art Gallery, LA
1994 Hanneline Rogeberg, exhibition catalog, text by Ann Wilson Lloyd, Diane Farris Gallery
1993 The Anxious Salon, texts by Helaine Posner, Ron Platt, MIT List Visual Arts Center