CV

SOLO EXHIBITIONS

 

2021

  • A Quiet Scale, two-person exhibition with Josephine Halvorson curated by Catherine Haggarty,
    SVA Flatiron Galleries, New York, NY; catalog

  • To the Ground, Galleri Riis, Oslo, Norway

2019

  • Zerosandones, Galleri Riis, Oslo, Norway

2017

  • Hard Sauce, Thomas Erben Gallery, New York, NY

2016

  • Hanneline Røgeberg, 10 Grand Press, Artist Editions & Book Fair, New York, NY

2015

  • Off the Bone, Blackston, New York, NY

2014

  • Hanneline Røgeberg, NADA Art Fair, New York, NY

2013

  • Never Odd Or Even, Blackston Gallery, New York, NY

2011

  • Fur & Sheikh, Dortmund Bodega, Oslo, Norway

2009

  • Form and Story, Museum of Richmond, VA

2005

  • Patte, Tracey Lawrence Gallery, Vancouver, B.C.

2004

  • Hanneline Røgeberg, University Museum Wright University, Dayton, OH

2001

  • Anagram, Tracey Lawrence Gallery, Vancouver, B.C.

1999

  • Hanneline Røgeberg: Malerier 1994-1999, Henie-Onstad Kunst Senter, Oslo, Norway

  • Small Works, Wittman Lawrence Gallery, Vancouver, B.C.

1997

  • Corpora, LaBand Art Gallery, Loyola Marymount University, Los Angeles, CA

1995

  • Horizons, Contemporary Art Center, Cincinnati, OH

 

1994

  • Hanneline Røgeberg, Diane Farris Gallery, Vancouver, B.C.

1992

  • Hanneline Røgeberg, Southern Connecticut State University, New Haven, CT

1990

  • Hanneline Røgeberg, Parker Zanic Gallery, Los Angeles, CA

GROUP EXHIBITIONS

2020

  • Norda, Collezione Erling Kagge, Museion, Bolzano, Italy

  • Monoprints 2020, Washington Art Association, Washington Depot, CT

2019

  • Open Field, Brooklyn Navy Yard Museum, Brooklyn, NY

  • Distance, Dorsky Gallery Curatorial Program, New York, NY

  • 12x12- 2019, Black Ball Projects, New York, NY

  • Pulled in Brooklyn, International Print Center New York, New York, NY

2017

  • Baltimore Contemporary Print Fair, 10 Grand Press, Baltimore, MD

  • Painting in Due Time, Thomas Erben Gallery, New York, NY

  • Put me in the Zoo, Lucien Terras Project, New York, NY

2016

  • In Color, 33 Montezuma Arts, Sante Fe, NM

  • Inaugural Show, Galleri Riis, Oslo, Norway

  • Vermont Studio Benefit, curated by Glenn Goldberg, White Box, New York, NY

2015

  • Draw: Mapping Madness, curated by Tomas Vu and Rirkrit Tiravanija, Inside-Out Art Museum, Beijing, China

  • Skin, part 1, National Exemplar, New York, NY

  • Living Threads, New York Studio School Gallery, New York, NY

  • Plus1, curated by Wes Sherman, The Center for Contemporary Art, Bedminster, NJ

  • “_____”, curated by Patricia Brace, No Holds Barred, New York, NY

2014

  • “Warm Math”, organized by Alexander May, Balice Hertling, New York, NY

  • “Legs”, National Exemplar, New York, NY

2013

  • The Rug Pulled Out From Under, Hedreen Gallery, Seattle, WA

2012

  • Dirt Tongue, CCA Kunsthalle Andratx, Mallorca, Spain

2011

  • Flesh Art, curated by Jose Rodeiro, Jersey City Museum, Jersey City, NJ

  • Norwegian Artists in New York Now, GalleryNO, New York, NY

  • Norway in New York Now, curated by Omar Lopez-Chaoud, Galleri NO, New York, NY
     

2010

  • Portraiture for the Silicone Enlightenment (Fuckheads), curated by Angela Dufresne, SCA Contemporary Art, Albuquerque, NM

  • A Reluctant Apparition, Sue Scott Gallery, NYC, NY

  • MAN DIES, Arch Collective, Brooklyn, NY

2009

  • Slough, David Nolan Gallery, curated by Steve DiBenedetto, NYC, NY

2008

  • Never Did She Ever…, curated by LaToya Ruby Frazier, Mason Gross Gallery, Rutgers University, New Brunswick, NJ

2007

  • Norske Bilder, Galleri Brandstrup, Oslo, Norway

  • 30th Anniversary Exhibition, Jan Baum Gallery, Los Angeles, CA

  • Drawings, curated by Lisa Sigal, Frederieke Taylor Gallery, New York, NY

2006

  • Bearings, curated by Allen Frame, PS. 122, New York, NY

  • Urban Visionaries, Cooper Union Gallery, New York, NY

2005

  • The Subjective Figure, Robert Miller Gallery, New York, NY

  • Desire, Kent Gallery, New York, NY

2004

  • Portraits, Esso Gallery, New York, NY

2003

  • Toronto Art Fair, Toronto, Canada

  • Faculty Show, Cooper Union Gallery, Cooper Union, New York, NY

  • 2002

  • Perceiving Life, Frye Art Museum, Seattle, WA

  • Lysis, Pamela Auchincloss Project Room, New York, NY

2001

  • Alumni Choice Exhibition, Yale Art Gallery, New Haven, CT

  • ClenchClutchFlinch, Paul Rodgers Gallery/9W, New York, NY

2000

  • Imaging the Wunderboard, London Biennale 2000, Center for Freudian Analysis and Research, London, UK

  • Private World, Art in General, New York, NY

  • The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY
     

1999

  • Go Figure, Neiman Gallery, Columbia University, New York, NY

  • Nude in Contemporary Art, The Aldrich Museum of Contemporary Art, Ridgefield, CT

  • Zero G: When Gravity Becomes Form, Whitney Museum of American Art, Stamford, CT
     

1998

  • Commitment to Image, The Museum of the University of North Texas, Denton, TX

1997

  • Naked Truth: The Figure in Contemporary Art, Art Gallery of Greater Victoria at Simon Frazer University, Victoria, B.C

  • Remembrance of Exhibitions past, Jan Baum Gallery, Los Angeles, CA

  • Body Language:Current Figurative Painters, Art Institute of Southern California, Laguna Beach, CA

1996

  • Naked, University of Hawaii Art Gallery, Honolulu, HI

  • Works on Paper, Tacoma Art Museum, Tacoma, WA

1995

  • 47th Annual Purchase Exhibition, American Arts and Letters, New York, NY

  • The Reconstructed Figure, Katonah Art Museum, Katonah, NY

  • Vital Signs, Municipal Art Gallery, Los Angeles, CA

  • At Century’s End: The Figure in Norwegian Painting, National Museum for Women in the Arts, Washington,D.C.; Henie-Onstad Kunst Center, Norway

1994

  • Sacred and Profane, Jan Baum Gallery, Los Angeles, CA

  • Gallery Artists, Diane Farris, Vancouver, B.C.

1993

  • The Anxious Salon, MIT List Visual Arts Center, Cambridge, MA

  • Reciprocities: Artists Choose Artists, Institute for Contemporary Art, Portland, ME

1992

  • American Prints, traveling to gallery OH, gallery M, Aichi, Japan

  • These Painters Shaped the Last Decade, Galleri Galtung, Oslo, Norway

  • Gallery Artists, Jan Baum Gallery, Los Angeles, CA

1991

  • Synthetic History, Parker Zanic Gallery, Los Angeles, CA

1990

  • Introductions, Parker Zanic Gallery, Los Angeles, CA

EDUCATION

1990

  • MFA Painting and Printmaking, Yale University, New Haven, CT

1988

  • Skowhegan School of Painting and Sculpture, Skowhegan, ME

1987

  • BFA Painting, San Francisco Art Institute, San Francisco, CA

  • Yale at Norfolk Summer School for Painting and Music, Norfolk, CT

AWARDS

2019

  • Residency Fellowship PRAKSIS 13 “Out Looking Inwards” Oslo, Norway

2012

  • Fondazion Andratx Residency, Andratx, Mallorca, Spain

2009

  • OCA Grant for Exhibition Publication for “Form &Story”

2003

  • Anonymous Was A Woman Grant

2002

  • Scholarly Excellence Award, Rutgers University

2000

  • Fondacion Valparaiso Residency, Spain

 

1999

  • John Simon Guggenheim Memorial Foundation Fellowship, Painting

1996

  • WESTAF/NEA Fellowship, Painting

1994

  • Royalty Research Grant, University of Washington

1990

  • Ingram-Merrill Fellowship

  • Blair Dickinson Memorial Grant

TEACHING

2013-Present

  • Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

2002-13

  • Associate Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

2002-05

  • Director of Graduate Studies, Mason Gross School of the Arts

2003

  • Fall semester, Visiting Artist, Cooper Union, New York, NY

2001

  • Spring semester, Visiting Artist, Cooper Union, New York, NY

1996-02

  • Assistant Professor, Painting, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ

1993-96

  • Assistant Professor, Painting, University of Washington, Seattle, WA

1991-93

  • Lecturer in Painting, School of Art, Yale University, New Haven, CT

1993

  • Spring semester, Critic, School of Architecture, Yale University, Haven, CT

SHORT TERM ENGAGEMENTS

2019

  • Graduate Critic, Yale School of Art, New Haven, CT

2017

  • Visiting Artist, Columbia University School of Art, New York, NY, Nov 1

  • Visiting Artist and Critic, Vermont Studio Center, Johnson, VT, Aug 25-30

  • Visiting Artist and Critic, Hunter University, New York, NY, Apr 5

2016

  • Visiting Artist and Critic, Pennsylvania Academy of Fine Art, Philadelphia, PA, Feb 11

  • Visiting Artist, Zimmerli Museum of Fine Art, New Brunswick, NJ, Apr 5

2015

  • Visiting Artist lecture, Mason Gross School of the Arts, Rutgers, New Brunswick, NJ, Jan 28

  • Visiting Artist and critic, University of the Arts, Philadelphia, PA, Apr 7

2014

  • Visiting Artist and critic, Vermont Studio Program, Johnson, VT, Feb 21-26

  • Visiting Artist lecture and critic, SUNY Purchase, NY, Jan 21
     

2013

  • Visiting Artist and critic, Evergreen State College, Olympia, WA, Jan 23

  • Visiting Artist and Graduate Critic, University of Washington, Seattle, WA, Jan 25

  • Distinguished Visiting Artist and Critic, Maine College of Art, Portland, ME Apr 4

  • Graduate Mentor, Vermont College of Art, Montpelier, fall semester

2012

  • Visiting Artist, Royal Danish Art Academy, Copenhagen, DK, Nov 11-14

  • Visiting Artist and Graduate Critic, MICA, Baltimore, MD, Sep 25

  • Visiting Artist, Vermont Studio School, Johnson, VT, May 21-27

  • Visiting Artist and Critic, University of Louisville, KY, Mar 21-22

2011

  • Studio Lecture to Sarah Lawrence BAs, Brooklyn, NY, Feb 12

  • Gallery Talk, Dortmund Bodega, Oslo, Norway, Mar 13

  • Visiting Artist and Critic, Brandeis University, Boston, Apr 18, 19

2010

  • The Expert’s Mind, DeYoung Museum, San Francisco, July 8-10

  • Visiting Artist lecture and critic,  New York  Art Academy, Apr 22

  • Visiting Artist Lecture, SUNY New Paltz, NY Dec 1

  • Visiting Artist and  Graduate Critic, SUNY Buffalo, Buffalo, NY, Dec 6

  • Visiting Artist and Critic, Kungliga Kunsthøgskolan, Stockholm, Sweden, Dec 13-14

2009

  • Panel Discussion for “Form and Story”, Richmond Museum, Richmond, VA, Jan 20

  • Visiting Artist Lecture and MFA Critic, RISD, RI, Apr 20-21

  • Visiting Artist and Critic, Skowhegan School of Art, Skowhegan, ME, Summer

  • Distinguished Lecturer, Mercer County College, NJ, Oct 13

2006

  • Visiting Artist lecture and critic, Colby College, ME, Apr 11

  • Visiting Artist lecture, Mason Gross School of the Arts, New Brunswick, NJ, Jan 25

  • Visiting critic, Art OMI residency, Ghent, NY, July 18-19

2005

  • Visiting Artist lecture and critic, University of the Arts, Philadelphia, PA, Nov 30

  • Visiting Artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Ap 11

  • Visiting artist lecture and critic, Williams College, Williamstown, MA, May 5

2004

  • Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Feb 16

  • Visiting artist lecture, Wright State University, Dayton, OH, Nov 7

2003

  • Visiting artist lecture and critic, MacAlester College, Minneapolis, MN, May 7

  • Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Mar 10

2002

  • Visiting artist lecture and graduate critic, Montclair State University, Montclair, NJ, Feb 6, Mar 6, Apr 17

  • Visiting artist lecture and critic, Maine College of Art, Portland, ME, Feb 22

2001

  • Lecture, New York Studio School, New York, NY, May 1

  • Visiting artist lecture and graduate critic, American University, Washington, D.C., Oct 23, Nov 13, Dec 4

  • Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 10

  • Lecture, Contemporary Art Gallery, Vancouver, B.C. Canada, October 20

  • Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 15-22

2000

  • Panel and lecture, CAA conference, chair by Joan Semmel, New York, NY, Feb 20

  • Panel and lecture, “Writing the Body”, Green College, University of British Columbia, B.C. Apr 5

  • Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Apr 6

  • Week long Workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23

  • Visiting artist lecture and critic, California State University, Long Beach, CA, Sep 13

  • Visiting artist lecture, New York Academy, New York, NY, Oct 12, 

  • 1999 Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18

  • Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17

  • Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7

1999

  • Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 11- 18

  • Lecture, Henie-Onstad Kunst Center, Oslo, Norway, Oct 17

  • Visiting artist, invited to do a series of etchings in the Neiman print shop, Columbia University, New York, NY , Nov 1-7

1998

  • Visiting artist lecture and critic, Cooper Union, New York, NY, Nov 2, 9, 16

  • Visiting artist lecture and critic, University of North Texas, TX, Oct 5

  • Week long workshop “The Figure as Subject”, Fine Arts Work Center, Provincetown, MA, Aug 16-23

  • Visiting artist lecture and critic, University of Indiana, Bloomington, IN, Mar 6,7,8

  • Visiting artist lecture and graduate critic, Pennsylvania Academy, Philadelphia, PA, Apr 9
     

1997

  • Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Nov 17

  • Visiting artist lecture and graduate critic, Massachusetts College of Art, Boston, MA, Oct 21

  • Visiting artist and critic, Maine College of Art, Portland, ME, Oct 20

  • Visiting artist lecture, invited to do a lithograph in print shop, School of Art, Yale University, New Haven, CT, Feb 28

1996

  • Visiting artist lecture and graduate critic, University of Hawaii, Honolulu, HI, Mar 2

1995

  • Visiting artist lecture, Cornish college of Art, Seattle, WA, Apr 3
     

1994

  • Visiting artist lecture and critic, Emily Carr College of Art and Design, Vancouver, B.C., Dec 8

  • Visiting Artist lecture, Fine Arts Work Center, Provincetown, MA, Nov 25

1993

  • Visiting artist lecture and graduate critic, San Francisco Art Institute, CA, Dec 7

  • Visiting artist lecture and graduate critic, University of Pennsylvania, Philadelphia, PA, Oct 18

  • Visiting artist lecture and graduate critic, Cornell University, Ithaca, NY, Mar 5

  • Visiting artist lecture and graduate critic, Carnegie-Mellon University, Pittsburgh, PA, Mar 9
     

1992

  • Visiting artist lecture and critic, Maine College of Art, Portland, ME, Apr 15-17

  • Visiting artist lecture and workshop, Yale at Norfolk, Norfolk, CT, Sep 19

  • Visiting artist lecture, New Haven Public Library, CT, Mar 26

1991

  • Visiting artist lecture, Nova Scotia College of Art and Design, Halifax, NS, Canada, Mar 8

1990

  • Visiting artist lecture, University of Iowa, Iowa City, IA, Apr 24

1989

  • Introductory lecture given at first “Day Without Art:World AIDS Day” School of Art, Yale University, New Haven, CT, Dec 1

PANELS, JURYING, CURATING

2012

  • Panel discussion in conjunction with exhibit “Form & Story”, moderated by Liz Schlatter, Museum of Richmond, VA, Jan 19

  • Lecture and panel discussion “Painting/Paradox” moderated by Gavin Jantjes, Nasjonalmuseet, Oslo, Norway, Nov 17

  • Co-curating “Dirt Tongue” with Suzanne McClelland, Kunsthalle CCA Andratx, Mallorca, Spain, Jul/Aug 2009

2001

  • Panel discussion in conjunction with exhibit ClenchClutchFlinch, moderated by Dominique Nahas, Paul Rodgers Gallery/9W, New York, NY, Jun 26

  • Appearance/feature in “EGG”, Channel 13’s Television Arts Magazine, screened, Nov 2

2000

  • CAA Conference panel: “The Body in Art” chaired by Joan Semmel, New York, NY, Feb 20

1998

  • Curating “Carol Schlosberg 1957-1998” and writing text for catalog, Yale Art Gallery, New Haven, CT, Jun 15 to Aug 15

1996

  • Radio interview with Shelley Bancroft on “Art in your Ear”, UW Station, Jul 20

1994

  • Discussion and tour with Jeffry Mitchell, Seattle Museum, WA, Oct 22

1993

  • Panel discussion:”Narrative Content in Recent Figurative Art”, MIT List Visual Arts Center, Cambridge, MA, Oct 16

1992

  • Initiated and organized silent auction of Yale School of Art faculty work; all proceeds to the Needle Exchange Program,
    AIDS Outreach and ACT-UP, Dec 1

  • Jury for “How We See”, Women’s Center, Yale University, New Haven, CT, Nov 1

REVIEWS

2020

  • ArTribune: “Collezione Kagge di Bolzano”, Oct 14

  • Financial Times: “It is not rational”, Sep 17

2011

  • Morgenbladet, Norway: “Olsson Anbefaler” by Tommy Olsson, p37, Mar 11-17

2009

  • URGE, Richmond, VA: “Form & Story”, by Petie Bogen-Garrett, Mar 1

2004

  • Dayton Daily News, Dayton, OH, ”Three Voices” unites painters at Wright State” by Ron Rollins, p. F1, F6, Nov 7

2001

  • Artnet Magazine, “Drawing Notebook: review by N.F. Karlins, Jul 10

2000

  • Vancouver Sun, B.C. “A Divine Spark” by Michael Scott, p. B11, Apr 10

1999

  • New Yorker, “Goings on About Town: The Aldrich Museum’s The Nude in Contemporary Art”, staff, p. 16, Sep 2

  • The Georgia Straight, Vancouver B.C. “Intimate Explorations Gets Under Viewer’s Skin” by Paula Gustavson, Apr 22

  • Artichoke, Canada “Small Paintings” by Paula Gustavson, p. 40, fall/winter issue

  • Aftenposten, Norway “Amerikans Prestisjepris til Rogeberg”, staff, p.26, Apr 17

  • Vancouver Sun, B.C. “Hanneline Rogebrg: by Michael Scott, p. C16, Apr 15

  • The New York Times: “In Connecticut, the Scars of war, the Works of Peace” by Roberta Smith, p. E36, Jul 30

  • Dagsavisen, Norway: “Maler I New York” by Nina Johnsrud, p.22, Oct 15

  • VG, Norway: “Svartmaler” by Alf Bjarne Johnsen, p. 37, May 10

  • Prisma, Norway: “Den Nakne Sannhet” p.9, fall issue

  • Aftenposten, Norway: “Forstyrrende Hud” by Lotte Sandberg, p.22, Nov 1

  • Dagsvisen, Norway: “Kvinnekroppen som Subject” by Anne Schaffer, p. 16,  Oct 24

  • Aftenposten, Norway: “Kultur”, p.12, Oct 16

  • Dagens Naeringsliv, Norway: “Figurativ Feminisme” by Jan Kokkin, p.29, Oct 16

  • VG, Norway: “Kunstner mot Strommen” by Jens Henrik Stromland, p. 41, Oct 17

  • Dagbladet, Norway: “Slaande Kroppssprak” by Harald Flohr, p. 4, Nov 11

  • The Dallas Morning News: “Two Artists with Something to Say, Figuratively” by Charles D. Mitchell, p. 22 (Sept.11)

 

1997

  • Fort Worth Star Telegram: “It Figures”, staff p. 6, Sep 6

  • Los Angeles Times: “Body Language meets the Naked Truth” by Cathy Curtis, p. 24, Aug 26

  • Los Angeles Times: “Powerful, Intriguing Works: Corpora in Extremis” by William Wilson, p. 22, Apr 1

1996

  • The Washington Post: “Interesting Changes in Art” by Jo Ann Lewis, p.43,  Jan 7

1995

  • Artichoke, Canada: “Hanneline Rogeberg:Under the Skin” by Paula Gustavson front cover, p. 15, 16, 17, fall/winter issue

  • Provocateur: “Hanneline Rogeberg” by Ryan Bookhart, p. 48, 49, 50, 51, premier issue

  • The Washington Times: “Imaginative Impressions of Norway” by Eleanor Kennelly p. C10, Nov 19

  • The New York Times: “Multiculturalism is Stressed in “The Reconstructed Figure” by Vivien Raynor, p. 16, Jul 9

  • The New York Times: Hudson Valley Crop” by Michael Kimmelman, p. C16, Jul 16

  • The Cincinnati Post:”Contemporary Art Center show mystifies, fascinates” by Jerry Stein, p. F1. Jun 20

  • The Cincinnati Enquirer: “Artists focus on distressing trend: by Owen Findsen p. F6, Jun 18

1994

  • The Georgia Straight, B.C.:”Hefty Nudes Evoke Sheer Sensation: by Paula Gustavson, p. 50, Oct 14

  • The Vancouver Sun, B.C.: “The Art that Breeds Discomfort” by Max Wyman p. D3, Oct 8

  • The New Pacific, Canada: “Forms of Expression” by Carol Berger, p. 26, 27, 28, 29, summer issue

1993

  • Dagbladet, Norway: “Norsk kvinnekunst til USA” by Inger Bentzrud, p.14, May 2

  • Maine Sunday Telegram: “Thoughts on the World, Thoughts about Each Other” By Ken Greenleaf, p. 8E, Nov 11

  • The Boston Herald: “Exhibit of Narrative Art Shows Underbelly of Life” By Mary Sherman, p. 34, Nov 5

  • The Boston Globe: “The Naked and the Dread” by Christine Temin, p.61, 65, Oct 19

PUBLICATIONS

2012

  • Transcribed lecture in English and Norwegian “Painting/Paradox”, Nasjonalmuseet, Oslo, Norway

  • Essay for Jeffry Mitchell monograph “Like a Valentine”, Henry Art Museum, Seattle, WA

  • Essay in La Norda, in conjunction with “The Rug Pulled Out”, Seattle, WA

2010

  • Cover art for “Mr. Worthingtons’s Beautiful Experiments on Splashes” by Genine Lentine, New Michigan Press

2009

  • Form and Story, catalog with transcription of panel discussion, University of Richmond Museum

  • Figuratively Seeing, Massachusetts College of Art and Design

2008

  • Every Body Counts, Vestfossen Kunstlaboratorium, Norway

2006

  • Ninth Letter, Vol.3, No.1, University of Illinois at Urbana-Champaign

2004

  • Building Tradition: The Northwest Art Collection, Tacoma Art Museum

2001

  • Clench/Clutch/Flinch, text by Dominique Nahas, Paul Rodgers Gallery

  • Gesundheit, text by Michael Madore, online journal “Artbrain”

  • Perceiving Life, exhibition catalog, Frye Art Museum
     

2000

  • Kunstaarboken, Universitetsforlaget, Norway

  • The Figure: The Other Side of Modernism, exhibition catalog, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center

1999

  • Hanneline Rogeberg, exhibition catalog, Henie-Onstad Kunst Center, Norway

  • Fire kvinner Fire Sprak, Henie-Onstad Kunst Centre, Norway

  • Zero G: When Gravity Becomes Form, exhibition catalog, Whitney Museum of American Art

  • The Nude in Contemporary Art, exhibition catalog, Aldrich Museum of Contemporary Art
     

1998

  • Corpora in Extremis, exhibition brochure, Loyola Marymount University, LA

  • Parallaxis, text by Lucy Lippard, Rina Swentzell, published by WESTAF

  • Body language, exhibition brochure, Art Institute of Southern California

1996

  • Naked Truths, texts by John Yau, Allan de Souza, David Medalla, exhibition catalog, University Museum of Hawaii

  • At Century’s End, exhibition catalog, Henie-Onstad Kunst Centre, Norway

1995

  • The Reconstructed Figure, exhibition catalog, Katonah Art Museum

  • HORIZON: Alternatives, exhibition brochure, text by Elaine King, Contemporary Art Center, Cincinnati

  • Vital Signs, exhibition catalog, Municipal Art Gallery, LA

1994

  • Hanneline Rogeberg, exhibition catalog, text by Ann Wilson Lloyd, Diane Farris Gallery

1993

  • The Anxious Salon, texts by Helaine Posner, Ron Platt, MIT List Visual Arts Center